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The large principles of 2047

In this ultimate second of the Epic Human trip, we take you on a fictional psychic trip into one of many many roads that lie forward for humanity. this is often the main intimate, sincere and private tale we now have ever instructed, added within the type of a scrapbook reminiscing on a life-time — from 2007–2047. Adbusters #111 is a time-capsule from the longer term, a imaginative and prescient, a caution, a repository of knowledge, a pragmatic post-crash survival consultant … to help you to navigate either the darkish occasions and the possibilities which lie ahead.

Featured during this issue:

Margaret Atwood: “We have had many moment probabilities. now's the time.”
the way forward for uprising through Chris Hedges
lifestyles after actual Sex
Dmitri Orlov on Social Collapse
vacationing MoMA in 2037
Clive Hamilton reevaluates the Sexual Revolution
Post-crash jobs for unemployed environmentalists by means of Erik Assadourian
Confessions, secrets and techniques and insights approximately Adbusters and the way forward for Occupy

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Additional resources for Adbusters, Issue 111 (January/Febuary 2014)

Sample text

Much the same is to be seen in Negara and in Beratan (Buleleng}. In every case this is due to the fact that finer and denser songket cloths, with very large pattern repeats are made, On t h e other hand, several villages in Buleleng and Tabanan have started to develop cagcag looms for small widths of cloth, at which the weaver does not sit on the ground, but perches more comfortably on a small stool or fixed bench. A loom was also invented for weaving two or up to three narrow cloths in parallel.

Precisely because she cannot concentrate on her work for any length of time without being disturbed, her quality is often below that of cloths produced in the manufactory. At the same time, depending on her domestic commitments, she is far less dependable when it comes to meeting delivery dates. Factors that can be clearly calculated and foreseen in the manufactory are often much vaguer in the home. These pressures often impose suffering on the home weaver. A SIDEMEN MANUFACTORY Let us consider two examples more closely, taking a manufactory first.

Karangasem or Khmgkung, 1920-30. 143 x 68 cm. • MEB IIc 18513a. 13 (above): Women attending the cremation of a brahman priestess, dressed in formal apparel with a wraparound skirt of songket and endek in the geringsing style. 12 (opposite): Selendang. Endek on silk. Buleleng, early 20th century. 292 x 48 cm. MEB IIc 17573. 14: A weaving manufactory in a compound. ); 5) Storage sheds; 6) Kitchen bath; 7) Experimental corner for new patterns; 8) Veranda with workplace for entrepreneur's wife; 9) Sales shop; 10) Fountain with small garden; 11) Drying frame for dyed yarn.

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