By Leslie Alsheimer, Bryan O'Neil Hughes
The crucial, inspiring source for all electronic photographers capturing in black and white.
In the hugely expected moment version of this groundbreaking e-book, NAPP GURU award recipient photographer Leslie Alsheimer and Adobe's personal Bryan O'Neil Hughes exhibit you every thing you want to recognize to discover the secrets and techniques to profitable black and white conversion and printmaking. This complete reference may also help you maximize your workflow with insurance of the entire suitable new beneficial properties of Photoshop CS4 and Lightroom 2, together with each level of the black and white procedure from seize to printing. alongside the best way, you'll locate in-depth factors of key subject matters comparable to colour administration, optimizing your workspace, softproofing and calibration (both onscreen and for output), comparing histograms, non-destructive modifying, and lots more and plenty extra. New gains during this version include:
- In-depth assurance of workflow utilizing the Bridge and Adobe digital camera uncooked elements of CS4
- New recipes and tips for complex black and white conversion
- Coverage of Lightroom and Photoshop integration features
- An assessment of scanners and scanning your black and white film
- Advice on publicity necessities and the way to use the sector process in your electronic shooting
- A fresh bankruptcy on black and white and inventive photo enhancing in Lightroom
Breathtaking colour and black and white photos, together with Leslie Alsheimer's picture which gained the coveted Vincent Versace award at Photoshop global in 2008, will encourage you to extend your individual creativity to unlimited chances. this can be the basic source for any photographer capturing black and white within the electronic age.
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Additional info for Black and White in Photoshop CS4 and Lightroom: A Complete Integrated Workflow Solution for Creating Stunning Monochromatic Images in Photoshop CS4, Photoshop Lightroom, and Beyond
Consult your camera manual (or a helpful friend) to enable this feature. Another option is to take a look at the histogram on the info screen of your LCD monitor. If you have any clipped whites in the image, the histogram will be pushed all the way to the right and will look like it’s going off the screen. 3 shows the differences between the histograms in an overexposed image with blown-out highlights and a properly exposed photograph. If you see that you have blown-out highlights in your scene, there are many things you can do to bring back that detail: you can reduce the amount of light in the scene, make the aperture smaller, increase the shutter speed, or reduce your ISO.
36 f o o d P h o T o g r a P h Y : f r o m s n a P s h o T s T o g r e aT s h o T s sPecialTY lenses Along with standard lenses, you can choose among a variety of “specialty” lenses to add a unique twist to your images, especially when it comes to depth of field. The following two lenses are both fun and can add some creative blur to your food photography. The first is a tilt-shift lens. This lens was created to correct distortion in images and is widely used in architectural photography to keep the lines of buildings straight.
Please. Many of us have our preferences and “looks” we are trying to achieve, and some elements may be more important or more relevant than others. For example, if it’s important to you to have a small amount of noise in your images, you might want to set your ISO to 100 or 200. or more light. Mastering the relationship of these elements of exposure in your photographs is the first step to understanding photography. If you can grasp the basics, the rest is easy—it’s all just a matter of experimenting, playing around with your camera, and discovering your style and preferences.