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A - - " " - E 1':\ J 6 . . ,.. - t\ v �- A7 3 " - £. - ... t\ v "" � " J,l i1 r- 3 -, ... i �P " • " _;;. ;:; .. "' - " v 4 ... - n: u " _;;. ;:; " ... ;:; " ... Chapter 5: CD @ 39 Blues Licks 33: More Blues Bass-lines Example Even th ough th e previous exa mple sounds full harmonica l ly and melodically, there is sti ll some empty space . Here is another opportun ity to apply bass runs to make it sound like a complete piece of m usic . ,. 11 _. 1t t. 7 = 111 ' T • A "' - ... Ll ... J_ "' n ...

T . , ... ... , " v ... , i n q.. ;F• n ... , - "' """' " � -!! ---.... ,.. _ "' .. J I lti #i T .... J A - ... � �·� � ... - ....... l' � v ... E7 I J � "' ;; ;:( :c ... ;; ;:( ... ;; ': ... :; __o_ v II A Clrapter 6: Blues Chard Soloing 41 CHAPTER 6: BLUES CHORD SOLOING In order to maste r the p owerful technique of soloi n g with cho rds . you n eed to m e m orize certain c hord i nversio ns . C h o rd inversions a r e n ot only a great way to add melodic movement to your chords, but they also provide va luable visual refe rences that will help yo u to travel the fretboard .

Notes are muted by the palm of the p1ck hand by llg hUy touching the string(s) near the bridge. RHYT H M S LASHES ACCENT: Notes or (' chords are ST R U M to be played I N DICA­ TIONS: Strum With md1cated rhythm. The chord voicings are found on ® ® ® 5� 3• ,,, A G F ® ® ® open 3 1 r ope E A n -J J ) ... I N D ICAT I N G with added S I N G LE em phasis. NOTES USING RHYTHM SLASHES: the first page of the transcription DOWN Very often underneath the song title. STROKES AND single notes are i n corporated I n to a rhythm parL The note name Is UPSTR OKES: i n dicated above the rhythm slash w A half step is the smallest interval in Westem musrc: 11 1s eq ual to one fret Notes or with a fret n u m ber and a string chords are to i ndication.

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